I began working with clay more than twenty years ago.
I take my observations of people and gather these impressions to create moments of life often between two or more figures. I am interested in the relationships between people and the ways in which they touch and do not touch one another. I find that fired clay is the best medium for my work. I start with photographs and then abstract relationships and meanings from them to give wider significance to individual moments. Usually I finish my sculptures with a dried brush acrylic process.