I do not work conceptionally but intuitively and consider this approach or the mere act of exploring color, material and view as one radical and spiritual way of resistance to neoliberal instrumentalization and constant pressure of optimization in our society.
In my professional experience I often saw the importance and dynamic effect of working pleinair, drawing and studying the own medium, the own duct. It refreshes the inner
reservoir of themes and shapes. My work is always figurative and often narrative, so studying new shapes and environments are crucial.